{"product_id":"walhall-ulrich-j-sechs-sonaten-vol-1-i-iii-flb-et-clavecin-186964","title":"Ulrich J. - Sechs Sonaten Vol. 1 (I-Iii) - Flb Et Clavecin","description":"\u003ch3\u003eResumo desta partitura\u003c\/h3\u003e\u003cp\u003eEsta coleção reúne \u003cstrong\u003eSeis Sonatas para flauta doce (flauta transversal) e cravo\u003c\/strong\u003e, editadas por Paul Wåhlberg sob a forma de \u003cstrong\u003efac-símile\u003c\/strong\u003e acompanhado de uma \u003cstrong\u003enova edição\u003c\/strong\u003e. Estas sonatas, compostas para flauta doce e publicadas em \u003cstrong\u003e1716\u003c\/strong\u003e em \u003cstrong\u003eKöthen\u003c\/strong\u003e, testemunham um estilo barroco expressivo e particularmente gratificante de interpretar: linhas melódicas cantantes, articulações naturais e escrita pensada para o duo com cravo (baixo contínuo).\u003c\/p\u003e\u003cp\u003eUm ponto de interesse importante diz respeito à \u003cstrong\u003eSexta Sonata em sol maior\u003c\/strong\u003e, que poderia ter sido destinada à \u003cstrong\u003eflauta transversal\u003c\/strong\u003e, então em plena ascensão. Ela se distingue nitidamente das outras cinco sonatas por várias características de escrita, abrindo possibilidades de interpretação tanto para flauta doce quanto para traverso (segundo o instrumento disponível e a cor sonora desejada).\u003c\/p\u003e\u003cp\u003eA redescoberta da fonte completa, realizada recentemente em Moscou, faz desta edição uma verdadeira \u003cstrong\u003epeça de escolha para flautistas\u003c\/strong\u003e (flauta doce e flauta transversal barroca) e cravistas em busca de repertório raramente tocado. Vale também destacar a existência de um \u003cstrong\u003eCD de gravação\u003c\/strong\u003e por Paul Wåhlberg (Euridice EUCD 63), útil para familiarizar-se com o estilo, os tempos e o equilíbrio da formação.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranjador\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePaul Wåhlberg (editor)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGênero\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epartitura barroca (sonatas)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentação\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eflauta doce (ou flauta transversal) e cravo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Walhall","offers":[{"title":"Default Title","offer_id":54360914329875,"sku":"186964","price":22.28,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/03bc729a0e2ee22607cd9c90afe07342b3126fc6_PARTOCHEEEE.jpg?v=1792624630","url":"https:\/\/woodbrass.pt\/products\/walhall-berthomieu-marc-never-more-melodies-chant-et-piano-186964","provider":"Woodbrass.com","version":"1.0","type":"link"}