{"product_id":"red-panda-context-2-367255","title":"Context 2","description":"\u003ch3\u003eUma reverberação \"rack dos anos 80\" revisitada, do Context v1 ao Context 2\u003c\/h3\u003e\u003cp\u003eO Red Panda Context 2 segue a linha das reverberações em rack dos anos 1980, com essa estética ampla, definida e modulada que marcou o som de muitas produções. A versão 2 não se limita a uma atualização: ela moderniza os algoritmos principais (Room, Hall, Cathedral, Gated, Plate) e os leva mais longe graças a um controle mais refinado do EQ (amortecimento grave\/agudo separado), da modulação, da dinâmica e das funções de sustain infinito.\u003c\/p\u003e\u003cp\u003eO modo \u003cstrong\u003eGrain\u003c\/strong\u003e adiciona uma cor especial: uma reverberação granular inspirada em processadores e técnicas do final dos anos 1970, pensada para ir do halo fantasmagórico a nuvens de fragmentos sonoros mais texturizados, perfeitos para paisagens sonoras originais.\u003c\/p\u003e\u003ch3\u003ePara quais guitarristas e estilos o Context 2 é feito?\u003c\/h3\u003e\u003cp\u003eO Context 2 é indicado tanto para o guitarrista que busca \u003cstrong\u003euma reverberação \"sempre bonita\"\u003c\/strong\u003e para engrossar um som limpo quanto para o músico explorador que quer esculpir ambientes complexos. Ele se adapta muito bem a estilos onde o espaço faz parte do jogo: ambient, post-rock, shoegaze, indie, pop moderno, rock alternativo, mas também a sons mais clássicos graças aos modos Plate, Room ou Spring.\u003c\/p\u003e\u003cp\u003eEm estúdio, facilita a inserção na mixagem graças ao controle de pre-delay e ao amortecimento grave\/agudo, enquanto ao vivo permanece claro e eficaz: um preset acessível com o pé, comportamentos dinâmicos (duck\/expand) para evitar que a reverberação invada os ataques, e funções de sustain infinito para transições, intros e finais de músicas.\u003c\/p\u003e\u003ch3\u003eControles, modos e conectividade: uma reverberação pensada como uma ferramenta de criação\u003c\/h3\u003e\u003cp\u003eO Context 2 oferece uma interface clara, mas muito profunda. Os controles principais cobrem o essencial: \u003cstrong\u003eBlend\u003c\/strong\u003e (mix dry\/wet até 100% wet), \u003cstrong\u003ePre\u003c\/strong\u003e (pre-delay), \u003cstrong\u003eDecay\u003c\/strong\u003e (duração), \u003cstrong\u003eHi\u003c\/strong\u003e e \u003cstrong\u003eLo\u003c\/strong\u003e (amortecimento das altas e baixas frequências), e \u003cstrong\u003eMod\u003c\/strong\u003e (quantidade e caráter da modulação). A modulação é uma peça-chave: dependendo do algoritmo, pode variar de um chorus sutil típico dos anos 80 a modulações mais profundas, mantendo uma sensação de estabilidade de altura quando desejado.\u003c\/p\u003e\u003cp\u003eO botão \u003cstrong\u003eShift\u003c\/strong\u003e abre uma segunda camada de ajustes orientada para performance e design sonoro: balanço reverberação\/delay (\u003cstrong\u003eBal\u003c\/strong\u003e), tempo do delay (\u003cstrong\u003eDelay\u003c\/strong\u003e), feedback (\u003cstrong\u003eFdbk\u003c\/strong\u003e), taxa de modulação (\u003cstrong\u003eRate\u003c\/strong\u003e) e parâmetros de dinâmica (limiar e tempo de recuperação) para moldar uma reverberação que desaparece (duck) ou que se abre mais nas notas fortes (expand). Mantendo pressionados os footswitches, você acessa \u003cstrong\u003edois comportamentos de sustain infinito\u003c\/strong\u003e: ideal para congelar um acorde, criar uma base e depois tocar por cima.\u003c\/p\u003e\u003cp\u003eNo quesito controle, o Context 2 adota uma configuração moderna: \u003cstrong\u003eentradas\/saídas estéreo\u003c\/strong\u003e, compatibilidade \u003cstrong\u003eUSB MIDI\u003c\/strong\u003e e gerenciamento estendido de presets (1 preset no footswitch esquerdo, 4 via footswitch externo, até 127 via MIDI). O \u003cstrong\u003epedal de expressão\u003c\/strong\u003e pode ser atribuído a qualquer combinação de parâmetros: perfeito para abrir progressivamente o mix, alongar o decay, aumentar a modulação ou transformar uma Room discreta em uma textura mais ampla com um único movimento.\u003c\/p\u003e\u003ch3\u003eA sonoridade\u003c\/h3\u003e\u003cp\u003eO Context 2 se destaca por uma reverberação \u003cstrong\u003eampla mas precisa\u003c\/strong\u003e, com uma sensação de profundidade que permanece musical mesmo quando se aumenta o mix. Os algoritmos Room e Hall são excelentes para \"colar\" a guitarra no espaço e dar corpo sem mascarar o toque, enquanto Cathedral e Plate abrem para caudas mais longas, ideais para pads e leads cantantes.\u003c\/p\u003e\u003cp\u003eO modo \u003cstrong\u003eGated\u003c\/strong\u003e traz uma decaída mais típica e percussiva, perfeita para ritmos que precisam permanecer nítidos. O modo \u003cstrong\u003eReverse\u003c\/strong\u003e oferece uma subida\/atenuação que dá a impressão de frase tocada \"ao contrário\", com a possibilidade de adicionar um véu de reverberação mais clássico via modulação. Por fim, \u003cstrong\u003eSpring\u003c\/strong\u003e combina o caráter de mola com um verdadeiro controle de decay e amortecimento, e um tremolo integrado cujo velocidade e intensidade podem ser ajustados: prático para passar de um leve movimento vintage a pulsações mais marcadas.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEfeitos\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTipo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etype_secteur\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTecnologia\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eeffetguitareetbasse_technologie_numerique\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUtilização\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esta_des_gui_ele\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormato\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEFGB_presentation1357\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ecor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAzul\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ea_EQ120\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTipos de reverb\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRoom, Hall, Cathedral, Gated, Reverse, Plate, Spring, Grain\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 via o footswitch esquerdo, 4 via um footswitch externo, 127 via MIDI\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edisponível em todos os modos\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEntrada\/saída\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eestéreo (TRS)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTremolo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edisponível no modo Spring\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUSB MIDI\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esim\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControles por algoritmo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eamortecimento de graves\/agudos, pre-delay, modulação, dinâmica (duck\/expand), sustain infinito\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuffer analógico\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBlend\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emix dry\/wet (até 100% wet)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensões\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3,05\u0026quot; x 4,75\u0026quot; x 2,5\u0026quot; (aproximadamente 77,5 x 120,7 x 63,5 mm)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epre-delay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConcepção e montagem\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enos Estados Unidos\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDecay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eduração do reverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedância de entrada\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 MOhm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHi\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eamortecimento das frequências altas\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedância de saída\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einferior a 1 kOhm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:20;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eamortecimento das frequências baixas\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAlimentação necessária\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 VDC centro negativo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMod\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003equantidade e caráter da modulação\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e250 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:22;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShift\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eacesso aos parâmetros de delay, dinâmica e taxa de modulação\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFonte de alimentação incluída\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enão\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Red Panda","offers":[{"title":"Default Title","offer_id":54360644190483,"sku":"367255","price":363.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7a026ac6687d8eb4739d1ec26ea31bfcf273d07e_REDCON2.jpg?v=1793375523","url":"https:\/\/woodbrass.pt\/products\/red-panda-context-2-367255","provider":"Woodbrass.com","version":"1.0","type":"link"}