{"product_id":"electro-harmonix-pico-attack-decay-384170","title":"Pico Attack Decay","description":"\u003ch3\u003eDo Attack Decay icônico à versão Pico: o espírito EHX, em formato amigável para pedalboard\u003c\/h3\u003eO Attack Decay original da Electro-Harmonix ganhou fama por sua capacidade de remodelar o ataque e o final das notas, com ilusões de fita invertida, swells ao estilo \"violino\" e notas propositalmente encurtadas para um toque mais percussivo. Após a reedição digital lançada em 2019, o \u003cstrong\u003ePico Attack Decay\u003c\/strong\u003e retoma o coração desse efeito de envoltória de volume em um \u003cstrong\u003eformato simplificado e compacto\u003c\/strong\u003e, pensado para se integrar facilmente a qualquer cadeia de efeitos.\u003cbr \/\u003e\u003ch3\u003ePara quem, para quais estilos e em quais contextos?\u003c\/h3\u003eO Pico Attack Decay é destinado a todos os guitarristas (do \u003cstrong\u003einiciante curioso\u003c\/strong\u003e ao \u003cstrong\u003emúsico de estúdio\u003c\/strong\u003e ) que desejam adicionar movimento sem complicar seu setup. Ele se destaca em \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, mas também em \u003cstrong\u003eblues\u003c\/strong\u003e e \u003cstrong\u003eclassic rock\u003c\/strong\u003e para swells limpos e controlados.\u003cbr \/\u003eAo vivo, é uma arma poderosa para \u003cstrong\u003epreencher o espaço\u003c\/strong\u003e entre dois riffs, criar introduções cinematográficas ou transformar um simples acorde em uma camada sonora. Em estúdio, ajuda a obter ataques \"suaves\" muito regulares, ideais para dobrar guitarras, imitar uma \u003cstrong\u003epedal steel\u003c\/strong\u003e ou sugerir texturas \"bowed\" (arco) em linhas melódicas.\u003cbr \/\u003e\u003ch3\u003eFuncionalidades e controles: simples na frente, muito rico na prática\u003c\/h3\u003eO Pico Attack Decay vai direto ao ponto com \u003cstrong\u003equatro potenciômetros\u003c\/strong\u003e e um \u003cstrong\u003ebotão de modo\u003c\/strong\u003e. \u003cstrong\u003eVOL\u003c\/strong\u003e ajusta o volume de saída, \u003cstrong\u003eSENS\u003c\/strong\u003e regula a sensibilidade de disparo (o quanto seu toque reinicia a envoltória), \u003cstrong\u003eATTACK\u003c\/strong\u003e determina a velocidade do fade-in (o crescimento), e \u003cstrong\u003eDECAY\u003c\/strong\u003e controla a velocidade do fade-out (a queda).\u003cbr \/\u003eO botão \u003cstrong\u003ePOLY\u003c\/strong\u003e seleciona o comportamento da envoltória: em \u003cstrong\u003eMono\u003c\/strong\u003e, toda a saída passa por uma única envoltória que se reinicia a cada nova nota ou acorde (efeito muito \"vintage\" e expressivo). Em \u003cstrong\u003ePoly\u003c\/strong\u003e, \u003cstrong\u003ecada nota\u003c\/strong\u003e dispara sua própria envoltória, preservando a definição dos acordes, arpejos e linhas em picking.\u003cbr \/\u003eUm verdadeiro diferencial: o pedal esconde um ajuste \u003cstrong\u003eBLEND\u003c\/strong\u003e que permite dosar a mistura entre o sinal processado e o sinal direto. O acesso é propositalmente discreto para manter a frente limpa: você entra no modo BLEND pelo botão POLY, depois o ajuste é feito com o potenciômetro SENS durante o piscar do LED, e é salvo em seguida. Também vale notar: \u003cstrong\u003eo pedal precisa estar alimentado para deixar o sinal passar\u003c\/strong\u003e, mesmo em bypass.\u003cbr \/\u003e\u003ch3\u003eO timbre\u003c\/h3\u003eO caráter do Pico Attack Decay é esse \u003cstrong\u003emodelagem de envoltória\u003c\/strong\u003e que transforma instantaneamente a sensação ao toque. Com um ataque mais lento, você obtém \u003cstrong\u003evolume swells\u003c\/strong\u003e fluidos, quase \"vocais\", perfeitos para leads líricos e camadas aéreas de guitarra. Ao aumentar o decay (ou ao contrário, encurtá-lo), você passa de uma sustentação ampla para \u003cstrong\u003enotas staccato\u003c\/strong\u003e muito nítidas, com um toque \"sintético e punchy\" ultra rítmico.\u003cbr \/\u003eA ilusão \"reverse\" vem da forma como a envoltória faz a nota emergir: o ataque suave e a dinâmica controlada dão a impressão de um som que chega \"ao contrário\", particularmente eficaz em slides, acordes tocados e melodias legato. No modo Poly, os acordes mantêm separação, com \u003cstrong\u003ecascatas de swells\u003c\/strong\u003e que permanecem claras mesmo em voicings complexos.\u003cbr \/\u003eSe o Attack Decay (em suas diferentes versões) é apreciado por guitarristas com um toque muito expressivo e textural, é porque ele reage diretamente à sua intenção: ataque com palheta, legato, palm mute, arpejos... tudo vira uma alavanca de interpretação. Esse espírito também é encontrado em músicos conhecidos por suas texturas e sons de guitarra \"fora do comum\" como \u003cstrong\u003eAndy Summers\u003c\/strong\u003e, \u003cstrong\u003eAdrian Belew\u003c\/strong\u003e, \u003cstrong\u003eSteve Hackett\u003c\/strong\u003e, \u003cstrong\u003ePaul Gilbert\u003c\/strong\u003e ou \u003cstrong\u003eWill Sergeant\u003c\/strong\u003e, que foram vistos usando um Attack Decay em seus pedalboards.\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] 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style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedância de entrada\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2,2 Megaohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotenciômetros\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVOL, SENS, ATTACK, DECAY\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedância de saída\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e680 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr 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