{"product_id":"contemporanea-surdo-aluminium-ginga-nesting-18-x-40cm-alu-g-sun03-88180","title":"Surdo de alumínio Ginga Nesting 18\" x 40 cm G-SUN03","description":"\u003ch3\u003eContexto histórico e posicionamento na escala\u003c\/h3\u003e\u003cp\u003eO surdo se impõe como a \"respiração\" básica da samba: ele marca a base rítmica em torno da qual se articulam as outras percussões (caixa, tamborim, agogô, etc.). Em uma batucada, sua presença estrutura a peça e dá imediatamente a identidade sonora do estilo, alternando impactos profundos e notas abafadas para criar uma pulsação viva.\u003c\/p\u003e\u003ch3\u003ePara quem é esta bateria\/instrumento\u003c\/h3\u003e\u003cp\u003eO surdo é destinado tanto a \u003cstrong\u003einiciantes\u003c\/strong\u003e que querem aprender um papel claro e indispensável em um conjunto, quanto a \u003cstrong\u003ebateristas e percussionistas intermediários\u003c\/strong\u003e que buscam enriquecer seu vocabulário rítmico. É particularmente recomendado para os estilos \u003cstrong\u003esamba\u003c\/strong\u003e, \u003cstrong\u003ebatucada\u003c\/strong\u003e e todas as formações inspiradas nas percussões brasileiras, mas também encontra seu lugar em fusion, fanfarras e músicas atuais sempre que se busca uma linha de baixo rítmica orgânica.\u003c\/p\u003e\u003ch3\u003eFuncionalidades e novidades\u003c\/h3\u003e\u003cp\u003eO toque do surdo baseia-se numa ideia simples e muito musical: bater com uma baqueta segurada por uma mão, depois controlar a ressonância com a outra mão \u003cstrong\u003eabafando\u003c\/strong\u003e a pele. Essa alternância aberta\/abafada permite desenhar figuras dinâmicas, acentuar a síncope e variar a articulação sem trocar de instrumento. Conforme as partes e as tradições, também pode ser tocado \u003cstrong\u003ecom duas baquetas\u003c\/strong\u003e para reforçar o ataque e a presença no grupo.\u003c\/p\u003e\u003ch3\u003eA sonoridade\u003c\/h3\u003e\u003cp\u003eO surdo é valorizado pelo seu \u003cstrong\u003egrave profundo\u003c\/strong\u003e, próximo à sensação de um bumbo ou tom, capaz de projetar longe e estabilizar o conjunto. A técnica de abafamento com a mão transforma a nota: passa-se de um impacto ressonante e amplo para um som mais curto e preciso, o que valoriza a pulsação e torna o padrão imediatamente legível na batucada.\u003c\/p\u003e\u003cp\u003eNa prática, os conjuntos costumam usar \u003cstrong\u003evários tamanhos\u003c\/strong\u003e de surdos (geralmente três) para distribuir os papéis: um registro muito grave para a base, um registro mais médio para a resposta, e uma voz complementar que reforça o movimento e a síncope. Essa combinação cria a sensação de \"respiração\" característica da samba.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr 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style=\"text-align:left\"\u003e\u003cstrong\u003eTerminar\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnvernizado\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTipo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esurdo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFerragens\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePreta\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealuminium\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDiâmetro\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e18 \u0026quot;\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTipo de pele\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSintético\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumento\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esurdo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eControle do som\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eabafamento com a mão para encurtar a nota e acentuar a síncope\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFamília\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epercussões\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVariante\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etoque às vezes com duas baquetas\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRegistro\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egrave (comparável a um bumbo ou a um tom)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCaráter rítmico\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecriação de um ritmo sincopado típico da samba\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEstilo recomendado\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esamba, batucada\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePresença na batucada\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egeralmente três tamanhos de surdo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePapel musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epulsação básica, \u0026quot;respiração\u0026quot; da samba\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObjetivo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecobrir várias profundidades de grave e distribuir os papéis rítmicos\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eToque principal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003euma baqueta segurada por uma mão\u003c\/td\u003e\u003ctd data-r 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