{"product_id":"barenreiter-haydn-j-symphony-in-d-minor-lamentazione-hob-i-26-score-191646","title":"Haydn J. - Symphony In D Minor \"lamentazione\" Hob. I:26 - Score","description":"\u003ch3\u003eResumo desta partitura\u003c\/h3\u003e\u003cp\u003eEsta partitura Urtext da \u003cstrong\u003eSinfonia nº 26 em ré menor Hob. I:26\u003c\/strong\u003e destaca uma obra singular de Joseph Haydn, cujo apelido \"Lamentazione\" já circulava em vida, sem que sua atribuição ao compositor fosse totalmente certa. Datada provavelmente \u003cstrong\u003eaté 1770\u003c\/strong\u003e, distingue-se pela integração, em seus dois primeiros movimentos, de citações provenientes de \u003cstrong\u003ecantos gregorianos da Semana Santa\u003c\/strong\u003e. Na época de Haydn, era comum interpretar movimentos isolados durante os ofícios: essas páginas podem assim ser vistas como tendo sido tocadas, ou mesmo concebidas, de forma relativamente independente, o que reforça seu caráter tanto dramático quanto meditativo.\u003c\/p\u003e\u003cp\u003eNa continuidade da colaboração editorial entre \u003cstrong\u003eBärenreiter\u003c\/strong\u003e e a editora \u003cstrong\u003eHenle\u003c\/strong\u003e em torno das grandes obras (coral, ópera, sinfonias), esta publicação insere-se numa série já rica: várias sinfonias Sturm und Drang, bem como o conjunto das sinfonias de \u003cstrong\u003eLondres\u003c\/strong\u003e e de \u003cstrong\u003eParis\u003c\/strong\u003e, receberam materiais completos. O resultado é um suporte particularmente adequado ao trabalho orquestral (ensaios, concertos, projetos pedagógicos), com uma gravação clara e um texto musical confiável, ideal para uma interpretação exigente do repertório clássico.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJoseph Haydn\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGênero\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartitura clássica (sinfonia)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranjadores\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFriesenhagen, Andreas \/ Heitmann, Christin\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIdioma\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlemão, Inglês\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdição\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter (BA 10975)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePáginas\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIV, 15 p.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentação\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOrquestra (partes incluídas: Oboé (2), Trompa (2), Violino (2), Viola, Baixo)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54356763967763,"sku":"191646","price":26.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1b3500569318f46e429a2bdf90e3a4c54a5a9918_BA10975.jpg?v=1789452976","url":"https:\/\/woodbrass.pt\/products\/barenreiter-haydn-j-sinfonia-em-re-menor-lamentazione-hob-i-26-partitura-191646","provider":"Woodbrass.com","version":"1.0","type":"link"}