ISP Hum Extractor + Decimator G
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- This item is covered for 3 years
What you need to know
What you need to know
- Triple noise reduction in a single unit: mains hum suppression + gate-type noise reduction + dynamic high-frequency filtering.
- Intelligent 2-channel system: optimized placement before and after gain stages to tackle both hum and amplifier hiss.
- High-end DSP processing: quality A/D and D/A conversion with 32-bit floating-point computation for clean and precise sound reproduction.
- Designed to stay musical: more natural playing response, better transparency, and noise reduction exceeding 80 dB.
Manufacturer Information
ISP
https://www.isptechnologies.com
info@isptechnologies.com
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A modern solution to the classic pedalboard challenge: hum and hiss
Background noise has multiple origins: there is the mains hum (50 Hz / 60 Hz), often dependent on the room, lighting, proximity to transformers, and guitar orientation, and there is the hiss generated by gain stages (overdrives, distortions, preamps, high-gain amps). The ISP Technologies Hum Extractor + Decimator G is designed to address both issues uncompromisingly by combining a dedicated hum suppression block and a Decimator block aimed at gain noise. The result: a quieter rig, more consistent from one venue to another, and above all more enjoyable to play daily.
Who benefits and in which styles the Hum Extractor + Decimator G makes a difference
This pedal is intended for guitarists (and bassists depending on configuration) who want signal cleanliness without sacrificing attack, dynamics, and feel. If you play with single-coil pickups, record in a home studio, or switch between very defined clean tones and high gain levels, this is typically the kind of tool that changes the game.
In rock and metal, it helps tame hiss between riffs, makes palm mutes crisper, and avoids unwanted squeals when muting strings. In blues, funk, or pop, it excels at preserving quiet clean tones even when hum becomes audible as soon as you slightly open the volume. On stage or in the studio, it allows you to maintain a "clean" signal that facilitates the work of sound engineers and mixing.
Key features: 2 channels, flexible placement, and fine control
The Hum Extractor + Decimator G is a 2-channel DSP processor designed for strategic insertion in your signal chain. The HUM EXTRACTOR block is generally placed upstream (between the guitar and the rig input) to suppress mains hum at the source. The channel 2 is then placed after gain sources (preamp, distortions, effects loop depending on your setup) to handle hiss and noise generated by amplification.
Highlight: the placement of the HUM EXTRACTOR block is selectable (channel 1 or channel 2) to adapt the pedal to more complex setups. The Decimator relies on a level detection derived from the direct signal (after hum components are removed), improving tracking and noise reduction precision when your signal becomes cleaner, subtler, or more dynamic.
The pedal combines three operations: hum suppression, Decimator-type downward expansion (noise reduction when the signal fades), and a dynamic sliding high-frequency filter inspired by the brand's rack solutions. Adjustment is done via dedicated thresholds (HUM EXTRACTOR and DECIMATOR) and a FILTER TRACKING control to fine-tune how the dynamic filter follows your high-frequency content. Once set, the interaction becomes intuitive: you play, the filter opens on your harmonics and naturally closes to reduce hiss, including on low notes.
Sound character
The goal here is not to add color but to preserve your tone. The Hum Extractor aims for completely transparent hum suppression: attack remains sharp, chords keep their openness, and pick nuances do not turn into an overly aggressive gate effect. The Decimator works to ensure clean note-offs without unnecessary "pumping," while maintaining a natural playing feel when you roll down the guitar volume or switch from an arpeggio to a saturated riff.
In practice, you get a quieter chain, better clarity in the upper spectrum, and a more usable perceived gain: less residual noise, more definition, and better-controlled dynamics, especially useful with high-gain presets, boosts, or heavily saturated amps.
Technical specifications
| Effects | Compressor, Noise Gate | Type | sector |
| Technology | Digital | Use | electric guitar |
| Format | Pedal | Color | Black |
| Effective noise reduction | over 80 dB | Frequency response | 20 Hz - 20 kHz = +0 dB / -0.5 dB |
| Input impedance | 470 kOhms | Outputs | maximum level +13.5 dBu |
| Input level trim | 21.5 dB / input level from -8 dBu to +13.5 dBu | Note | 0 dBu = 0.775 VRMS |
| Maximum input signal | +13.5 dBu | Dimensions | 7.15 inches (W) x 1.85 inches (H) x 4.5 inches (D) (approx. 181.6 mm x 47.0 mm x 114.3 mm) |
| Floor noise | -104 dBu A WTD | Weight | 1.2 lbs (approx. 0.54 kg) |
| Dynamic range | 117 dB A WTD | Required power supply | 9V AC (RMS) |
| Decimator / max red noise | 80 dB | Current | 1500 mA (1.5 A) |
Questions frequently asked
Does this pedal eliminate hum from single-coil pickups?
The Hum Extractor block targets mains hum at 50 Hz or 60 Hz, often audible with single-coil pickups. An effective noise reduction exceeding 80 dB is advertised.
Where to place the ISP Hum Extractor + Decimator G in a pedalboard?
The Hum Extractor is generally placed upstream, between the instrument and the rig input. The Decimator channel can be inserted after gain sources to reduce hiss from distortions, preamps, or high gain amps. The Hum Extractor location is selectable on channel 1 or channel 2.
Does the Decimator cut notes and harmonics?
The level detection is derived from the direct signal after hum suppression, in order to more accurately track playing. The Filter Tracking control adjusts dynamic treble filtering and its openness on harmonics.
What power supply is required for this ISP pedal?
A 9 V AC RMS power supply is required, with a capacity of 1.5 A. A 9 V DC power supply is not specified in the provided specifications.
Is it suitable for an amplifier effects loop?
Channel 2 can be placed after the preamp or in the effects loop depending on the chosen setup. The input level is adjustable over 21.5 dB, for a range between -8 dBu and +13.5 dBu.



