{"title":"Theodore Presser Company","description":null,"products":[{"product_id":"theodore-presser-company-bach-j-s-15-two-part-inventions-2-saxophones-122251","title":"Bach J. S. - 15 TWO-part Inventions - 2 Saxophones","description":"\u003ch3\u003eResumo desta partitura\u003c\/h3\u003e\u003cp\u003eEsta partitura propõe uma adaptação para duo de saxofones, concebida para se adaptar a duas configurações comuns: \u003cstrong\u003e2 saxofones alto\u003c\/strong\u003e ou \u003cstrong\u003ealto + tenor\u003c\/strong\u003e. Esta dupla possibilidade facilita a integração da obra em um atelier de saxofones, um duo formado na hora, ou ainda um contexto pedagógico onde a distribuição dos instrumentos pode variar.\u003c\/p\u003e\u003cp\u003eO formato duo destaca a escuta recíproca e a coesão: frases, articulações, respirações e a organização ocupam um lugar central. A interpretação torna-se um verdadeiro trabalho de diálogo musical, com atenção especial à balance (projeção, dinâmica) e à homogeneidade dos ataques. Uma escolha pertinente para desenvolver a musicalidade, a precisão rítmica e a construção de um som conjunto, aproveitando uma escrita adaptada às especificidades do saxofone.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranjador\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLarry Teal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentação\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 saxofones alto ou 1 saxofone alto e 1 saxofone tenor\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Theodore Presser Company","offers":[{"title":"Default Title","offer_id":54357528543507,"sku":"122251","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/78c3a70a0617a0deb76913bbcc90c3f49713c575_HL_THE41441081.jpg?v=1792533794"},{"product_id":"theodore-presser-company-hndel-g-f-allegro-gia-mi-sembra-trompette-et-piano-80421","title":"Hndel G. 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Para um pianista acompanhador, um cantor, um estudante de conservatório ou um amante de ópera, um exemplar com marcas de uso pode cumprir plenamente a sua função, desde que a leitura musical continue a ser possível.\u003c\/p\u003e\u003cp\u003eO facto de se tratar de um excerto de ópera torna-a também um suporte interessante para abordar a escrita vocal, as linhas melódicas, a expressão dramática e o universo do repertório cénico. É uma escolha acertada para enriquecer uma biblioteca musical com um documento pensado sobretudo para a prática, a descoberta ou o estudo, e não para uma apresentação impecável.\u003c\/p\u003e\u003cp\u003eSe procura uma partitura para trabalhar música, explorar uma passagem de ópera ou complementar o seu acervo pedagógico, este exemplar pode responder às suas necessidades, desde que aceite o seu estado visual imperfeito. 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O autor Oppenheim guia o aprendizado através de uma grande quantidade de exemplos (mais de 150), cuidadosamente sequenciados, para desenvolver tanto a precisão da mão direita, a coordenação das duas mãos quanto a regularidade do groove.\u003c\/p\u003e\u003cp\u003eEsta quinta edição enfatiza a prática com faixas de áudio para download (98 exemplos), ideais para trabalhar o timing, a dinâmica e a limpeza dos ataques. Os exercícios começam nas cordas soltas, depois introduzem os elementos essenciais da linguagem slap: \u003cstrong\u003estring popping\u003c\/strong\u003e, \u003cstrong\u003edead notes\u003c\/strong\u003e, \u003cstrong\u003ehammer-on\u003c\/strong\u003e e \u003cstrong\u003elift-off\u003c\/strong\u003e. 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