{"title":"Métodos e partituras de trompa","description":null,"products":[{"product_id":"combre-proust-pour-une-aventure-petite-suite-cor-seul-192756","title":"Proust - Pour Une AVENTURE-petite Suite - Cor Seul","description":"\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Combre","offers":[{"title":"Default Title","offer_id":54356539965715,"sku":"192756","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7086cd350e4127cc6b4d7c6f2dd588736322f8fe_C05948.jpg?v=1794566206"},{"product_id":"alfred-publishing-farkas-philip-art-of-french-horn-playing-french-horn-117455","title":"Farkas Philip - Art Of French Horn Playing - French Horn","description":"\u003ch3\u003eResumo deste livro\u003c\/h3\u003e\u003cp\u003e\u003ci\u003eThe Art of French Horn Playing\u003c\/i\u003eé uma obra de referência concebida para guiar o cornista em sua progressão, com uma abordagem estruturada que \"estabeleceu o quadro\" para toda uma série dedicada ao aprendizado instrumental. Sua importância reside tanto em sua posição histórica (primeiro volume publicado) quanto na credibilidade de seu autor, Philip Farkas, figura major do corno, tanto intérprete quanto pedagogo.\u003c\/p\u003e\u003cp\u003ePublicado em 1956 pela Summy-Birchard, este livro se insere em um período em que Farkas conduzia uma carreira no mais alto nível: ele era então corno solo da Chicago Symphony. O texto também destaca sua experiência em outros ambientes prestigiados, notadamente a Boston Symphony e o Cleveland Orchestra, assim como várias instituições de ensino e formação em Chicago. Essa dupla dimensão, palco e pedagogia, confere à obra uma tonalidade particularmente útil para o estudante: um método construído por alguém que conhece as exigências reais do jogo orquestral assim como as do trabalho diário.\u003c\/p\u003e\u003cp\u003eAtravés desta publicação, a ideia central é oferecer uma ajuda concreta aos músicos em formação para que aprendam a dominar seu instrumento e alcançar seus objetivos. Para um aluno, um amador exigente ou um estudante de conservatório, \u003ci\u003eThe Art of French Horn Playing\u003c\/i\u003econstitui assim um suporte de trabalho sólido para estruturar o aprendizado, clarificar as prioridades técnicas e musicais, e desenvolver uma prática mais autônoma e eficaz, a serviço do som, da afinação e da expressividade.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMétodos\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompositor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePhilip Farkas\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGênero\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emétodo instrumental\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdição\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSummy-Birchard\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAno de publicação\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1956\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentação\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecorno de harmonia (French horn)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Alfred Publishing","offers":[{"title":"Default Title","offer_id":54356558807315,"sku":"117455","price":28.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4e4659d3f2ce8779b0faffd5fe476cd3366fbd08_0021.jpg?v=1794566141"},{"product_id":"choudens-barboteu-g-cinq-pieces-poetiques-39190","title":"BARBOTEU G. - 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O fato de estar incluída em \u003cstrong\u003esyllabus de exames reconhecidos\u003c\/strong\u003e torna-a uma escolha pertinente para estruturar uma preparação, trabalhar objetivos precisos (implantação rítmica, domínio do fraseado, afinação e projeção) e familiarizar-se com as expectativas de um programa de avaliação.\u003c\/p\u003e\u003cp\u003eIntegrada ao \u003cstrong\u003eprograma ABRSM Summer 2006\u003c\/strong\u003e para os \u003cstrong\u003egrades 6 a 8\u003c\/strong\u003e, esta edição é particularmente adequada para instrumentistas de nível intermediário avançado a avançado, que buscam uma peça ao mesmo tempo formativa e valorizadora em audição. Também está referenciada no \u003cstrong\u003esyllabus Trinity 2007\u003c\/strong\u003e para os \u003cstrong\u003egrades 6 e 7\u003c\/strong\u003e, o que permite considerá-la como um suporte transversal: trabalho do som e das nuances na corne, precisão das articulações, controle da respiração e coesão com o piano (equilíbrio, respirações comuns, continuidade do discurso). Em ensaio, o duo cor-piano oferece um terreno ideal para desenvolver a escuta, a estabilidade do tempo e a musicalidade, preparando eficazmente uma apresentação para exame, concurso ou concerto de classe.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentação\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehorn in F and piano\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePáginas\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDificuldade\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eABRSM Summer 2006 (grades 6 a 8); Trinity syllabus 2007 (grades 6 e 7)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schott","offers":[{"title":"Default Title","offer_id":54356645839123,"sku":"107906","price":20.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e68098e774e3772a822dc7d1cad82766f94400f0_ED3642.jpg?v=1794566155"},{"product_id":"zerboni-tutino-marco-the-game-is-hard-1988-cor-49452","title":"Tutino Marco - The Game Is Hard (1988) - Cor","description":"\u003ch3\u003eResumo deste livro \u003c\/h3\u003e\u003cp\u003eAs informações disponíveis sobre esta obra dizem respeito sobretudo ao seu \u003cstrong\u003eestado físico\u003c\/strong\u003e. Trata-se de um exemplar danificado, cuja capa apresenta um canto marcado. Também é mencionada a possível presença de uma etiqueta. Na descrição fornecida, estes defeitos são principalmente estéticos e devem ser tidos em consideração sobretudo se procura um produto em muito bom estado de apresentação.\u003c\/p\u003e\u003cp\u003eEste tipo de exemplar pode perfeitamente ser adequado para o uso diário nas aulas, nos ensaios, na sala de música ou em casa. Para um aluno, professor ou músico que valorize o conteúdo impresso e a praticidade de utilização, esta obra musical pode representar uma escolha pertinente. Destina-se sobretudo a quem procura um suporte de trabalho, e não um exemplar para coleção ou para oferecer.\u003c\/p\u003e\u003cp\u003eA indicação de desgaste permite comprar com toda a transparência, tendo uma visão clara do estado exterior do produto. Se a sua prioridade é a leitura, a aprendizagem ou a consulta regular de um suporte de livraria musical, este exemplar continua a ser uma opção a considerar, desde que aceite as marcas visíveis assinaladas na capa.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEstado\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eProduto danificado\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEtiqueta\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePossível presença\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapa\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEmpenada\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Zerboni","offers":[{"title":"Default Title","offer_id":54356652065043,"sku":"49452","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4b7ad7087376c396a6cc5fd66a199db8be297cd1_PARTOCHEEEE.jpg?v=1794566149"},{"product_id":"choudens-barboteu-g-lectures-et-exercices-cor-80891","title":"Barboteu G. - 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O conteúdo enfatiza os reflexos indispensáveis do jogo instrumental: estabilizar a emissão, melhorar a qualidade do som e estabelecer uma execução confiável. Ao longo das páginas, o aluno pode trabalhar a continuidade da respiração, o domínio dos ataques, a limpeza das transições e a precisão rítmica, elementos essenciais para progredir de forma duradoura.\u003c\/p\u003e\u003cp\u003eConcebida como um suporte para \u003cstrong\u003etrabalho regular\u003c\/strong\u003e, esta coletânea permite focar pontos técnicos precisos conforme as necessidades do momento: aquecimento, consolidação das bases ou manutenção da forma. Os exercícios, adaptados à prática do corne, incentivam uma escuta atenta (centralização das notas, homogeneidade do timbre) e favorecem uma progressão estável. 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Muito presente na literatura para instrumentos de sopro, Bozza propõe uma escrita que valoriza a sonoridade do corne, sua capacidade de canto, bem como seus contrastes de cor e dinâmica. O piano desempenha um verdadeiro papel de parceiro: apoia, relança e estrutura o discurso musical, o que o torna um excelente suporte para trabalhar a interpretação em duo.\u003c\/p\u003e \u003cp\u003eNo dia a dia, esta partitura é particularmente pertinente para preparar uma audição, um exame ou um concerto, mas também para aprimorar a técnica instrumental num contexto musical estimulante. O corneísta poderá trabalhar a estabilidade dos ataques, a qualidade do legato, a precisão das mudanças de registro e a afinação nas passagens expostas. Em ensaio, o conjunto corne-piano incentiva uma abordagem mais madura da música: respiração comum, nuances coerentes, gestão dos tempi e construção das frases. 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A escolha de uma \u003cstrong\u003eedição Urtext\u003c\/strong\u003e faz dela um suporte confiável para músicos exigentes, em busca de uma notação rigorosa e coerente.\u003c\/p\u003e\u003cp\u003eA instrumentação indicada destaca um dispositivo de música clássica articulado em torno de um \u003cstrong\u003ecor solo\u003c\/strong\u003e (HnSolo), apoiado por \u003cstrong\u003edois oboés\u003c\/strong\u003e, \u003cstrong\u003edois cornos\u003c\/strong\u003e e as \u003cstrong\u003ecordas\u003c\/strong\u003e. Esta combinação permite trabalhar finamente o equilíbrio entre a linha solista e o acompanhamento, a afinação (notadamente nas entradas do cor), assim como a fusão de timbres entre sopros e cordas. A redução para piano facilita a localização harmônica, a organização rítmica e a preparação das nuances, oferecendo também uma solução eficaz quando a orquestra não está completa.\u003c\/p\u003e\u003cp\u003eEditada sob a supervisão de \u003cstrong\u003eFranz Giegling\u003c\/strong\u003e, esta partitura destina-se a intérpretes, professores e estudantes que desejam dispor de um material claro, prático e pertinente tanto para o estudo quanto para a preparação artística.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdição\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score; 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Esta partitura destina-se a corneiros que desejam trabalhar uma obra maior do repertório, reconhecida e tocada mundialmente, tanto em concertos quanto em concursos, audições e exames.\u003c\/p\u003e\u003cp\u003eEsta \u003cstrong\u003eedição Urtext\u003c\/strong\u003e baseia-se em todas as fontes disponíveis para oferecer um texto musical confiável, coerente e respeitoso às intenções de Strauss. A preparação editorial de \u003cstrong\u003ePeter Damm\u003c\/strong\u003e, figura incontornável do cor e solista de renome internacional, traz um valor musicológico e instrumental precioso: sua experiência de palco e suas pesquisas sobre a história da obra iluminam a partitura e reforçam sua pertinência para uma preparação séria.\u003c\/p\u003e\u003cp\u003ePara acompanhar o trabalho diário, a \u003cstrong\u003eredução para piano\u003c\/strong\u003e de \u003cstrong\u003eJohannes Umbreit\u003c\/strong\u003e constitui uma vantagem central. Pensada para ser confortável de tocar, facilita os ensaios, o estudo do estilo, a colocação rítmica e o equilíbrio sonoro entre solista e acompanhante. 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Trata-se de um exemplar danificado, cuja capa apresenta um canto marcado. Também é mencionada a possível presença de uma etiqueta. Na descrição fornecida, estes defeitos são principalmente estéticos e devem ser tidos em consideração sobretudo se procura um produto em muito bom estado de apresentação.\u003c\/p\u003e\u003cp\u003eEste tipo de exemplar pode perfeitamente ser adequado para o uso diário nas aulas, nos ensaios, na sala de música ou em casa. Para um aluno, professor ou músico que valorize o conteúdo impresso e a praticidade de utilização, esta obra musical pode representar uma escolha pertinente. Destina-se sobretudo a quem procura um suporte de trabalho, e não um exemplar para coleção ou para oferecer.\u003c\/p\u003e\u003cp\u003eA indicação de desgaste permite comprar com toda a transparência, tendo uma visão clara do estado exterior do produto. Se a sua prioridade é a leitura, a aprendizagem ou a consulta regular de um suporte de livraria musical, este exemplar continua a ser uma opção a considerar, desde que aceite as marcas visíveis assinaladas na capa.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEstado\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eProduto danificado\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEtiqueta\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePossível presença\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapa\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEmpenada\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Imd Arpeges","offers":[{"title":"Default Title","offer_id":54357242544403,"sku":"47302","price":9.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b60d19071528a22765a024346088202c87332cb1_IMD447.jpg?v=1794370548"},{"product_id":"barenreiter-moz-w-a-concerto-n-1-en-re-majeur-kv-412-514-386d-pour-cor-et-orchestre-cor-piano-40490","title":"Moz W.A. - Concerto N°1 En Re Majeur Kv 412 + 514 (386D) Pour Cor Et Orchestre - Cor Piano","description":"\u003ch3\u003eResumo desta partitura\u003c\/h3\u003e\u003cp\u003eEsta partitura oferece uma apresentação cuidada em \u003cstrong\u003eedição Urtext\u003c\/strong\u003e, concebida para músicos que procuram uma leitura fiável, clara e musicalmente coerente. O conteúdo organiza-se em torno de uma \u003cstrong\u003eredução piano\/canto\u003c\/strong\u003e que permite preparar a obra em ensaio com pianista, mantendo uma visão estruturada da linha solista e dos equilíbrios musicais. A presença de uma \u003cstrong\u003eparte separada\u003c\/strong\u003e facilita o trabalho do cor solo em situação de aula, ensaio ou apresentação.\u003c\/p\u003e\u003cp\u003eA instrumentação anunciada destaca um conjunto orquestral clássico, com \u003cstrong\u003ecor solo\u003c\/strong\u003e acompanhado por \u003cstrong\u003e2 oboés\u003c\/strong\u003e, \u003cstrong\u003e2 fagotes\u003c\/strong\u003e e \u003cstrong\u003ecordas\u003c\/strong\u003e. Esta configuração oferece um quadro ideal para abordar a execução solista com uma abordagem \"concertante\": gestão da respiração, projeção, fraseado e articulação, enquanto dialoga com as cores dos sopros e a flexibilidade das cordas. A edição, preparada por \u003cstrong\u003eFranz Giegling\u003c\/strong\u003e, dirige-se tanto a intérpretes como a professores que desejam uma base de trabalho rigorosa, num formato adaptado às necessidades do repertório com orquestra.\u003c\/p\u003e\u003cp\u003eCom uma duração de cerca de \u003cstrong\u003e16 minutos\u003c\/strong\u003e, esta partitura é particularmente adequada para a construção de um programa equilibrado: suficientemente desenvolvida para estabelecer um discurso musical, mantendo-se compatível com as exigências de palco, exame ou audição. A encadernação em grampos favorece uma manipulação simples e um uso regular na bancada.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdição\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano Reduction\/Vocal Score; Single Part; Urtext Edition (edição revista por Franz Giegling)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentação\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCor solo, 2 oboés, 2 fagotes, cordas\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54357303492883,"sku":"40490","price":23.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0f8e7c6003e251a856db7c8cf3b94057b6d00603_BA5314A.jpg?v=1794370431"},{"product_id":"schirmer-verne-reynolds-48-etudes-for-french-horn-177872","title":"Verne Reynolds - 48 Etudes For French Horn","description":"\u003ch3\u003eResumo deste caderno\u003c\/h3\u003e \u003cp\u003eCom \u003cstrong\u003e48 Etudes For French Horn\u003c\/strong\u003e, você dispõe de um verdadeiro laboratório de técnica para corno de harmonia, pensado como uma extensão moderna dos grandes cadernos de estudos tradicionais. O objetivo é claro: levar um bom cornista ao próximo nível, confrontando-o com problemáticas precisas, concentradas e imediatamente reconhecíveis em cada estudo. Aqui, não há exercícios \"decorativos\": cada página visa uma competência concreta, trabalhada em um contexto musical exigente e formativo.\u003c\/p\u003e \u003cp\u003eA dificuldade assumida não é elitista: a implementação é concebida para uma prática eficaz. Você pode começar isolando algumas medidas, trabalhar um trecho em tempo reduzido, depois consolidar a regularidade (ataque, precisão rítmica, limpeza das ligações) antes de montar progressivamente o estudo inteiro. Uma vez consolidado, essas peças tornam-se um excelente material de manutenção, perfeito para o aquecimento avançado, a manutenção da resistência e a preparação para repertórios onde a virtuosidade e a estabilidade do som são indispensáveis.\u003c\/p\u003e \u003cp\u003eEmbora o corno em F seja indicado, o caderno também incentiva uma abordagem mais ampla do jogo: após assimilação, retomar os estudos em transposição traz um desafio adicional particularmente benéfico para a leitura, a antecipação harmônica e a flexibilidade mental. Uma escolha pertinente para alunos de ciclo superior, estudantes de conservatório e profissionais que desejam enriquecer sua rotina de estudos com um conteúdo contemporâneo, denso e focado.\u003c\/p\u003e\n\n\u003ch2\u003eEspecificações técnicas\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGénero musical\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClássica\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eObra\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePartituras\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentação\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecorno (French horn)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDificuldade\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavançada a virtuosa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGênero\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eestudos técnicos\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schirmer","offers":[{"title":"Default Title","offer_id":54357340160275,"sku":"177872","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b865d869caead50c6ac5ba245092b0af09630607_GS32986.jpg?v=1794370531"},{"product_id":"bim-plog-a-animal-ditties-iii-cor-piano-387053","title":"Plog A. - Animal Ditties III - Cor \u0026 Piano","description":"\u003ch3\u003eResumo desta partitura\u003c\/h3\u003e\u003cp\u003eEsta partitura é construída como uma pequena suíte em quatro movimentos, cada um com um título evocativo: \u003cstrong\u003e1. 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O interesse musical reside no contraste entre as peças: você passa de um movimento para o outro com uma mudança de atmosfera, o que incentiva a afinar a cor sonora, a dinâmica e o sentido do fraseado, em vez de permanecer em um único \"humor\".\u003c\/p\u003e\u003cp\u003eO primeiro movimento, \"The Porpoise\", geralmente convida a buscar uma linha fluida e uma sonoridade suave: pense na continuidade do fôlego (ou do arco, ou do legato no teclado) e em uma gestão fina das nuances para dar uma impressão de movimento natural. \"The Dog\" pode ser abordado como uma peça mais viva e expressiva, onde o ataque, a energia e os acentos se tornam pontos-chave: é um excelente suporte para estabilizar a pulsação mantendo o relevo.\u003c\/p\u003e\u003cp\u003eCom \"The Ant\", passamos para um caráter mais miniatura, propício ao trabalho de precisão: igualdade, leveza, clareza das articulações e controle das nuances em pequena escala. 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A obra aborda três dificuldades frequentes: tornar o legato realmente cantável (sem ruptura de ar nem de timbre), consolidar a extensão e a sustentação do registro grave, e adquirir uma verdadeira facilidade de leitura em clave de fá.\u003c\/p\u003e\u003cp\u003eCada estudo é concebido como uma frase a ser interpretada: a linha melódica convida a cuidar da direção, dos pontos de apoio e da respiração, mantendo uma emissão homogênea nas mudanças de notas. A escolha das tonalidades e das assinaturas rítmicas não é deixada ao acaso: permite variar as configurações de dedos e de afinação, trabalhar a regularidade do fluxo, e colocar em situação as dificuldades próprias do legato (encadeamentos, intervalos, estabilidade do som).\u003c\/p\u003e\u003cp\u003eAs indicações de nuances complementam este trabalho ao fornecer um quadro claro para construir a dinâmica da frase e desenvolver o controle do fôlego, essencial no corne. 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